《Children》Tsai-wei Yeh
The exhibited works include the Banquet Series (喜宴系列) (Red), alongside the artist’s reflections on her children (child) and the world around her after becoming a mother. The name "赤子" not only embodies the meaning of innocence and purity but also cleverly incorporates the Chinese character "赤", which symbolizes the color red, seamlessly merging the two themes into one.
The exhibition Sea, Island, People
The exhibition Sea, Island, People—The Story of Taiwan is rooted in the New Taiwan History Movement, aiming to retell Taiwan’s history. Specifically, the sea represents Taiwan’s connection to the world; the island symbolizes the interaction between humans and various species; and the people embody the interwoven diversity of ethnic groups. Through this perspective, Taiwan is portrayed as a historical stage that carries the stories of different peoples, eras, and cultures.
Intertwined Gazes: Between Seeing and Being Seen：Chen Ying Ru Solo exhibition
Chen Ying Ru draws inspiration from Taiwanese folklore and traditional culture, weaving together stories and events from daily life with her unique perspective. Her works are infused with emotions and imagination, characterized by vivid colors and playful forms that showcase a deeply personal artistic language.
A Speck in the Vast Ocean : LIN, Jheng-Rong Lacquer Painting Solo Exhibition
LIN, Jheng-Rong’s lacquer paintings combine traditional techniques and materials yet present an innovative departure from conventional lacquer art. His works, characterized by an illustrative style, are rich in meaning, with each piece telling a unique story—like reading different chapters of a narrative. In his exploration of lacquer, LIN emphasizes its warm texture and timeless hues, which are particularly captivating. The semi-transparent amber tones set the base of the artwork, while lines and symbolic elements weave his inner emotions into the painting, much like telling a story. Furtherm
Clay Resonance - HSU Ming-Hsiang x LEE Shan-Yin Joint Exhibition
Clay Resonance offers a profound exploration of the life experiences of two generations of women. In a fast-paced modern world, this exhibition highlights the unique perspectives and shared connections of two generations through the timeless medium of clay. This collaborative endeavor between mother and daughter reflects not only their familial heritage but also their engagement with the textures and narratives of life across different historical contexts. HSU Ming-Hsiang’s works preserve cherished memories of a bygone era, while LEE Shan-Yin’s creations capture the dynamic and diverse facets
Imprint of Spring (印采盈春), a New Year’s Special Exhibition by the International Printmaking Center, National Taiwan Normal University
EVERRICH and the International Printmaking Center at National Taiwan Normal University have come together to organize this exhibition where traditional art is blended with modern design to promote the re-innovation and reinterpretation of Taiwanese traditional arts in contemporary society. The exhibition not only highlights the creative talents of Taiwanese artists but also offers international visitors a unique opportunity to experience Taiwan’s vibrant printmaking culture.